Ffa lithograph fine art3/9/2024 I dampen the stone with water, and the water is only absorbed by areas where there is no drawing.Now it’s time to bring our design to life! To make the ghost image receptive to grease, I buff asphaltum into the surface until it’s just right.At this point, the stone has been transformed into soap (oleo-manganate of lime) – pretty cool, huh? The drawing material is washed out with lithotine, leaving behind a ghost image on the stone’s surface. Then, I buff the gum arabic evenly using cheesecloth. I use materials like gum arabic and TAPEM to create areas where the stone will receive water. After that, it’s time for some chemical magic.Once the drawing is complete, I apply rosin and talc to establish the drawing inside the stone – this is called an etch. Next, it’s time to get creative! I use greasy materials like litho pencils or lithographic crayons to draw my design directly onto the surface of the stone.Then, I get to work preparing the stone by cleaning and polishing it until it’s pristine clean. I start by selecting a flat lithographic stone (bavarian limestone) that’s perfect for holding both grease and water.Let me take you on a journey through my lithographic process!
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